filmas kotza

Jumat, 25 Januari 2019

Baby Boy 2001 filmer gratis

Baby Boy 2001 Hel film - filmstaden

Baby Boy

persontitel	Baby Boy
varaktighet	130 Minutes
släppa ut	2001-06-27
genre	Crime, Drama, Romance
kompani	New Deal Productions, Columbia Pictures
besättning namn	John Singleton, John Singleton, John Singleton, Charles Mills, Bruce Cannon, Keith Brian Burns, Ruth E. Carter

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Freddy Got Fingered 2001 filmer gratis

Freddy Got Fingered 2001 Hel film - Titta på filmer undertexter svenska

Freddy Got Fingered

pjäs	Freddy Got Fingered
varaktighet	87 Minutes
frige	2001-04-18
stilart	Comedy
umgänge	Epsilon Motion Pictures, Regency Enterprises, New Regency Pictures, MBST/Lloyd Productions
besättning namn	Tom Green, Tom Green, Derek Harvie, Larry Brezner, Howard Lapides, Lauren Lloyd, Marc S. Fischer, Derek Harvie, Arnon Milchan, Michael Simpson

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Kamis, 24 Januari 2019

Mulholland Drive 2001 filmer gratis

Mulholland Drive 2001 Hel film - Titta på filmer undertexter svenska

Mulholland Drive

boktitel	Mulholland Drive
varaktighet	147 Minutes
utlösa	2001-09-08
genre	Thriller, Drama, Mystery
främmande	Asymmetrical Productions, Les Films Alain Sarde, Babbo Inc., The Picture Factory, Canal+
besättning namn	David Lynch, Alain Sarde, Peter Deming, Mary Sweeney, Jack Fisk, Peter Jamison, Barbara Haberecht, Amy Stofsky, Melissa Moseley, David Lynch

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Shallow Hal 2001 filmer gratis

Shallow Hal 2001 Hel film - svenska filmer

Shallow Hal wants a gal.

Hal Larsen (Jack Black) only ever dates beautiful trophy women on account of advice he received on his death bed from his father. However, a chance meeting with a self-help guru helps him to see inner beauty first and foremost. Soon after, he falls in love with his boss' severely overweight daughter, which as it raises eyebrows everywhere the couple go, Hal is oblivious as to what everyone else is on about.

Tender, sweet and subtle are not words one readily attributes to the Farrelly Brothers, but in Shallow Hal they have managed to blend all three with their penchant for close to the knuckle humour.

Gwyneth Paltrow in the dual role dons the fat-suit and once again showcases her unheralded comic timing, while Jack Black proves ebullient and engaging in a role that calls for him to shut out what he is actually meant to be seeing. In support Jason Alexander gets the weasel best friend comedy sidekick role, and is wonderfully abhorrent and good at keeping the cards close to his chest.

It's never uproariously funny, but it doesn't need to be, it tickles where it needs to, and it prods the emotional psyche with requisite impact. In a world that has become obsessed with the girth and weight of a person, especially with women - and as it happens is led by Hollywood, Shallow Hal is refreshing entertainment. 7/10
***Fun romcom with a worthy message***

A shallow man (Jack Black) from Charlotte, North Carolina, falls in love with a 300 lb. woman (Gwyneth Paltrow) after Tony Robbins enables him to see inner merit. Jason Alexander is on hand as his best friend.

“Shallow Hal” (2001) is a romcom that’s both amusing and meaningful. The movie stresses the importance of inward beauty, which Hal was incapable of seeing because of his focus on solely physical attractiveness. When the latter is removed through Tony Robbins' mesmerism he's finally able to see the former. Whiney libs that are unable to grasp fantasy and humor might be offended by the fat jokes, but the overall moral is commendable.

The flick scores pretty well in the feminine department with Paltrow in her prime and never looking better, speaking as someone who was never overly wowed by her. She’s jaw-dropping here and the movie doesn’t fail to spotlight her beauty. Other beautiful women are featured, like Susan Ward as Hal’s neighbor, Jill.

The film runs 1 hour, 54 minutes and was shot in Charlotte, North Carolina.

GRADE: B+

Shallow Hal

namn på målning	Shallow Hal
varaktighet	114 Minutes
hemförlova	2001-11-01
slag	Comedy, Romance
umgänge	20th Century Fox
besättning namn	Bobby Farrelly, Peter Farrelly, Peter Farrelly, Bobby Farrelly, Sean Moynihan, Bobby Farrelly, Peter Farrelly, Bradley Thomas, Charles B. Wessler, William Goodrum

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Selasa, 22 Januari 2019

Legally Blonde 2001 filmer gratis

Legally Blonde 2001 Hel film - filmstaden

Legally Blonde

namn på målning	Legally Blonde
varaktighet	96 Minutes
lossa på	2001-07-13
stilart	Comedy
lag	Marc Platt Productions, Metro-Goldwyn-Mayer
besättning namn	Robert Luketic, Amanda Brown, Kirsten Smith, Karen McCullah Lutz, Ric Kidney, Marc Platt, Rolfe Kent, Anthony B. Richmond, Garth Craven, Ronit Ravich-Boss

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Monster's Ball 2001 filmer gratis

Monster's Ball 2001 Hel film - bra filmer på netflix

***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-
***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-

Monster's Ball

mästartitel	Monster's Ball
duration	111 Minutes
utlösa	2001-11-11
slag	Drama, Romance
besök	Lions Gate Films, Lee Daniels Entertainment
besättning namn	Milo Addica, Will Rokos, Roberto Schaefer, Matt Chesse, Monroe Kelly, Marc Forster, Danny Lee, Frank L. Fleming, Kerry Barden, Mark Bennett

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persontitel	Amélie
varaktighet	122 Minutes
offentliggöra	2001-04-25
slag	Comedy, Romance
bolag	France 3 Cinéma, Claudie Ossard Productions, MMC Independent, Tapioca Films, Sofica Sofinergie 5, Victoires Productions, Union Générale Cinématographique (UGC), Canal+, Filmstiftung Nordrhein-Westfalen
besättning namn	Jean-Marc Deschamps, Claudie Ossard, Arne Meerkamp van Embden, Guillaume Laurant, Jean-Pierre Jeunet, Bruno Delbonnel, Pierre-Jacques Bénichou, Hervé Schneid, Guillaume Laurant, Jean-Pierre Jeunet